الثلاثاء، 15 سبتمبر 2015

Rendition

Reese Esberson, Meryl Streep, Alan Arkin, Jake Jaylinhal, all this big names in the film talking about American policy in the deportation of suspects them in the issue of terrorism, and directed by Gavin Hood, at first glance seem that a film of excellent cash-fashioned,



 but can consider this film from a group films that bring you many stars, without at all levels as we have seen the last of the world with The Da Vinci Code, the film story talks about Anwar al-Ibrahimi Egyptian who lives in America and is married to an American and has a child, to be arrested by the US government and is deported out of the country and tortured under suspicion in charge of dealing with the terrorists planned to blow up in Tunisia, Well look thorny issue of concern to the world and without a doubt, but, what you discussed scenario? Nothing, weak screenplay lacks professional in his work, ends and do not know what you what you have to do really writer on this issue, manipulation of events and tortured and little dialogue is what is making the scenario upon which the film, in point of representation, it was fun to watch Merle Streep and Alan Arkin in some scenes trivial, but let us focus a little on the tournament, what he did to Jake in the film is one of the worst roles like her in history, bad to the point of shame that this person may bet him in 2005 after a wonderful role in Brokeback Mountain, I do not know what happend to him, perhaps personal and built two Alsaian, but, Jake has never convince me in any of the scenes portrayed, while at the other hand, Reyes made a role if Jamlnaha We told him very well, cool in most cases, and good in each Before I finish talking about acting in the film, will highlight the best performance represented in the film, and is Omar Metwally, who plays the role of the Patriarchs in the film and I do not know where to find foreign producers such representatives Arabs and how Akchwounam, of Babil and United 93 , to this film, the roles of Arab convincing realistically, I do not know why this large overlooked by Arab producers in the discovery of talent, but insistent focus on the stars for the reputation and profit, we go back to the film before reading through the review of the pains of Arab cinema and poverty, music Labour were the best presence in it, a mixture of the quiet and beautiful Arabic melodies with modern music gave a great flavor, especially for the viewer, and from here stands excellence in film, nothing noteworthy.

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