Circumstances dictated that I watch the film "Osama" Afghan director Barmak friend again at a time when the world celebrates the long UN women which Astvzni to propose to you reading this
To commemorate this occasion the global human righit
And in the context of contributing to the current debate
About the status of women in our society and its future
Film of creativity which is a gateway to express angle
For various scenarios in all our fateful issues.
The director has succeeded through his film to raise attention to the many issues
Which emphasizes the improper dealing with women as a human being feels
The lives and dreams of the non-existent forms of discrimination due to race, the highlights of our director since the beginning of inferiority view of women
At the thought of the Wahhabi Salafi fundamentalist movements which are read religious texts as it sees fit and in isolation from the current developments of our time without regard for the most basic human rights as recognized by the director of Konya presented by highlighting the suffering of the family of Osama problematic elusive
Difficult discussion on the minds of the leaders of Jihad and tribulations that were originally Valotflh minds of them which have become "Osama" and found herself outside the home
Against her will for Hoha far from childish and her family initially
When I came out to work and contribute to her family, which lost all its men in war spending
It also will allow the exit of Osama relatively safe for her mother, amid the alleys and paths of the town devastated by war
And then you'll find "Osama" itself in a training camp for the children against their will
In preparation for the wars of Osama bin Laden against the "infidels."
In addition to all the suffering will become vulnerable to the most serious punishment when exposed is denial.
The film evoked the issue of objectification of women in an artistic way managed to reveal the director of cinematic language
When the tape up to the moment of transformation, start watching trip is difficult to return them before the end
This is due to the quality of the script and the director of the master narrative language of images and music
The eloquence of symbols that are shipped profound significance director worked beautifully on the clothing and doors
Alleys and mud-and wrinkled faces and pots and mattresses, all of the elements of the meanings of sadness deepened in the tape added to the absence of all aspects of modern life from TV, radio and green areas and images in color until the moment of the wedding turned into a funeral movement control
Reeking of death and wailing instead of joy and dances
This oversight referred to by a pair of scissors, who attended in a strong snapshot moment Shearing boys and her clothes.
More footage of the director submersible (PLONGE)
Referral to defeat and lock the horizon in front of the tape and figures, we find this little blue of the sky extended presence in the film, which strengthens the meanings of violence and the blockade
Represented by the men of the Taliban machine guns, cars and four-wheel drive
That give rise to panic in the hearts of ordinary citizens,
The same meaning praise black clothing for women workers with the movement.
Sound the alarm when the director worked in his film on the story of a child at the age of flowers
Forced to reincarnation and other personal,
A formula to express force Wahhabi Salafist movements of their communities
In turn, the reincarnation of a civilized fashion alien to human nature does not call himself to Islam in its totality. That prevent women from going out to work, claiming avoid provoking masculine men is to understand the human instinct
That do not distinguish between male and female, and the denial of movement without a male / one of her relatives
It is a restriction of their freedom and make her life tied to movements in all men, and being accused of adultery without witnesses
Because of suspicion, is a hit with the laws and religious situation, which is accused is innocent until convicted Tthbt
The marriage of minors is outrageous assault on the innocence of children.
All of these issues do not seem strange at the thought of Wahhabi Brotherhood
Which is raised in a very impressive way out positions in the folds of his film "Osama".
Human made many strides in the face of all forms of violence and discrimination due to race, color, religion
And made a lot of gains, thanks to the sacrifices of successive generations, but the Wahhabi Salafist currents
We want to blow up everything and return us back because of the non-scientific religious reading of the text. Anyone who saw the film "Osama" will find himself surrounded by hundreds of questions relating to humanitarian objects
Did not think someday to live on it as Agah film Stakecar their bodies remember when the future of their daughters and granddaughters and women of their countries
In the event that crawl Wahhabi arrived to fend politically Wahhabis want to turn Mdaherna and cities to "Ofganstanat" mini devastating wasteland where there are no manifestations of a happy life, just give us a friend Barmak image.
The dangerous thing is that the likes of those who speak on their film live among us
Anagasmanm and work rooms, taxis and sometimes intellectual Drdhatna ...
Exercising their activities in secret and in public, they are working on all fronts dependent on Taliban-style methods
Through the imposition of trusteeship on others in everything from fashion to dress
And the end of the party from whom you should sleep on them.
Director ends his film through to important conclusions
In his critique of the Wahhabi thought Talabani across the trial scene
Who returned my reasoning to the argument divine right
Who was claiming possession of the feudal kings of Europe in the Middle Ages where it is difficult to distinguish between the management of the feudal kings of their land
And those between the way in which the judge issued by Talabani provisions
As a god when he is granted the right to life or the death penalty (the killing of the journalist, and the stoning of women for treason without argument) or human / objectify women (pardon the "Osama" and married to Mullah pyramid).
To defend his thesis director ended his impressive shots,
Reciting a lot of symbolic elements inside the house, "Mullah", because in the end focused on the "lock" as indicative of the control, prevention, and prison and presented in a very big shots
But to make Mullah obsessed locks
To the point where it has become for valuables provided in the form of gifts for wives
And to preserve the conservative nature of the film
The director used a snapshot Albanoramek vertical climb the ladder to refer to sexual desire when Sheikh,
A negative meaning to the purity of the water also gave
Through color and black smoke pot moment bath "Mullah" escalation
At the same time the depth of the wounds of "Osama"
Symbolically kill her after the rape by failing to show its image after that.
Director Siddiq Barmak presented in accordance technically fantastic, which take up a lot of taboos by relying on a whim but mastered representatives to engage in the spaces of the Afghan margin by relying on very large Picks
Which closes the horizon and faded colors and the effects of the destruction and features characters
It is what makes his film in accordance with a film is worth more than watch.
To commemorate this occasion the global human righit
And in the context of contributing to the current debate
About the status of women in our society and its future
Film of creativity which is a gateway to express angle
For various scenarios in all our fateful issues.
The director has succeeded through his film to raise attention to the many issues
Which emphasizes the improper dealing with women as a human being feels
The lives and dreams of the non-existent forms of discrimination due to race, the highlights of our director since the beginning of inferiority view of women
At the thought of the Wahhabi Salafi fundamentalist movements which are read religious texts as it sees fit and in isolation from the current developments of our time without regard for the most basic human rights as recognized by the director of Konya presented by highlighting the suffering of the family of Osama problematic elusive
Difficult discussion on the minds of the leaders of Jihad and tribulations that were originally Valotflh minds of them which have become "Osama" and found herself outside the home
Against her will for Hoha far from childish and her family initially
When I came out to work and contribute to her family, which lost all its men in war spending
It also will allow the exit of Osama relatively safe for her mother, amid the alleys and paths of the town devastated by war
And then you'll find "Osama" itself in a training camp for the children against their will
In preparation for the wars of Osama bin Laden against the "infidels."
In addition to all the suffering will become vulnerable to the most serious punishment when exposed is denial.
The film evoked the issue of objectification of women in an artistic way managed to reveal the director of cinematic language
When the tape up to the moment of transformation, start watching trip is difficult to return them before the end
This is due to the quality of the script and the director of the master narrative language of images and music
The eloquence of symbols that are shipped profound significance director worked beautifully on the clothing and doors
Alleys and mud-and wrinkled faces and pots and mattresses, all of the elements of the meanings of sadness deepened in the tape added to the absence of all aspects of modern life from TV, radio and green areas and images in color until the moment of the wedding turned into a funeral movement control
Reeking of death and wailing instead of joy and dances
This oversight referred to by a pair of scissors, who attended in a strong snapshot moment Shearing boys and her clothes.
More footage of the director submersible (PLONGE)
Referral to defeat and lock the horizon in front of the tape and figures, we find this little blue of the sky extended presence in the film, which strengthens the meanings of violence and the blockade
Represented by the men of the Taliban machine guns, cars and four-wheel drive
That give rise to panic in the hearts of ordinary citizens,
The same meaning praise black clothing for women workers with the movement.
Sound the alarm when the director worked in his film on the story of a child at the age of flowers
Forced to reincarnation and other personal,
A formula to express force Wahhabi Salafist movements of their communities
In turn, the reincarnation of a civilized fashion alien to human nature does not call himself to Islam in its totality. That prevent women from going out to work, claiming avoid provoking masculine men is to understand the human instinct
That do not distinguish between male and female, and the denial of movement without a male / one of her relatives
It is a restriction of their freedom and make her life tied to movements in all men, and being accused of adultery without witnesses
Because of suspicion, is a hit with the laws and religious situation, which is accused is innocent until convicted Tthbt
The marriage of minors is outrageous assault on the innocence of children.
All of these issues do not seem strange at the thought of Wahhabi Brotherhood
Which is raised in a very impressive way out positions in the folds of his film "Osama".
Human made many strides in the face of all forms of violence and discrimination due to race, color, religion
And made a lot of gains, thanks to the sacrifices of successive generations, but the Wahhabi Salafist currents
We want to blow up everything and return us back because of the non-scientific religious reading of the text. Anyone who saw the film "Osama" will find himself surrounded by hundreds of questions relating to humanitarian objects
Did not think someday to live on it as Agah film Stakecar their bodies remember when the future of their daughters and granddaughters and women of their countries
In the event that crawl Wahhabi arrived to fend politically Wahhabis want to turn Mdaherna and cities to "Ofganstanat" mini devastating wasteland where there are no manifestations of a happy life, just give us a friend Barmak image.
The dangerous thing is that the likes of those who speak on their film live among us
Anagasmanm and work rooms, taxis and sometimes intellectual Drdhatna ...
Exercising their activities in secret and in public, they are working on all fronts dependent on Taliban-style methods
Through the imposition of trusteeship on others in everything from fashion to dress
And the end of the party from whom you should sleep on them.
Director ends his film through to important conclusions
In his critique of the Wahhabi thought Talabani across the trial scene
Who returned my reasoning to the argument divine right
Who was claiming possession of the feudal kings of Europe in the Middle Ages where it is difficult to distinguish between the management of the feudal kings of their land
And those between the way in which the judge issued by Talabani provisions
As a god when he is granted the right to life or the death penalty (the killing of the journalist, and the stoning of women for treason without argument) or human / objectify women (pardon the "Osama" and married to Mullah pyramid).
To defend his thesis director ended his impressive shots,
Reciting a lot of symbolic elements inside the house, "Mullah", because in the end focused on the "lock" as indicative of the control, prevention, and prison and presented in a very big shots
But to make Mullah obsessed locks
To the point where it has become for valuables provided in the form of gifts for wives
And to preserve the conservative nature of the film
The director used a snapshot Albanoramek vertical climb the ladder to refer to sexual desire when Sheikh,
A negative meaning to the purity of the water also gave
Through color and black smoke pot moment bath "Mullah" escalation
At the same time the depth of the wounds of "Osama"
Symbolically kill her after the rape by failing to show its image after that.
Director Siddiq Barmak presented in accordance technically fantastic, which take up a lot of taboos by relying on a whim but mastered representatives to engage in the spaces of the Afghan margin by relying on very large Picks
Which closes the horizon and faded colors and the effects of the destruction and features characters
It is what makes his film in accordance with a film is worth more than watch.
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